
Political drama · International reach
Skin in Flames
A confrontation about photojournalism, war and inequality between the West and the Third World.
La Villarroel, Barcelona · Premiere: 29 June 2005
The image that changed a war
Skin in Flames is one of Guillem Clua’s most internationally produced works . Critics agree in praising its innovative structure and its intelligent take on the media and politics in wartime. It has received numerous awards, including the Ciutat d’Alcoi (which the author won for a second time), Barcelona’s Serra d’Or Critics’ Prize for best play in 2005, and other recognitions in several US cities.
Frederick Salomon, a photojournalist who became famous by capturing the image of a girl blown into the air by an explosion, returns to the country where he took the well-known photograph twenty years earlier. He is back to collect an award, since many consider him crucial to recent efforts to bring peace to the troubled country, but a local journalist, Hanna, disagrees. As she interviews Salomon in a hotel room, they debate and question the role of the United Nations in its relationship with Third World countries, the merchandising of violent images and, above all, what exactly happened on the fateful day the picture was taken. At the same time, another couple’s story unfolds in the same theatrical space, although they are unaware of the others’ presence. Dr Brown makes a routine visit to Ida, a local woman whose daughter is in a coma in the city hospital. Ida offers sexual favours in exchange for medical treatment that could save her daughter’s life—or even move her to live in the West.
The two contrasting scenes of deception and desperation gradually weave together a plot that the audience assembles from the fragments left behind by war. Who was the girl in the photograph? How did that image change her life, her country and the world? And what will be the consequences of the terrible dilemmas facing all the characters?
Skin in Flames takes audiences on an emotional and intellectual journey that becomes a true challenge, forcing them to consider and question the line dividing the powerful from the vulnerable. With a dramatic structure of perfect theatrical clockwork and real elements drawn from the newspapers we read every day, Guillem Clua’s award-winning play brings together the best of form and content in a powerful, unforgettable theatrical experience.
Credits and productions
World premiere · La Villarroel
Barcelona · 29 June – 31 July 2005
At the 2005 Grec Festival. Performance in Catalan; co-produced by the Festival de Barcelona Grec, Villarroel Teatre and Teatres de la Generalitat Valenciana.
Credits
Text: Guillem Clua
Direction: Carme Portaceli
Set and lighting design: Paco Azorín
Costume design: Anna Güell
Cast: Rosana Pastor, Manel Barceló, Gabriela Flores and Manel Sans
Madrid production · CDN
Teatro María Guerrero · Sala de la Princesa
30 March to 6 May 2012. A Centro Dramático Nacional production.
Credits
Text: Guillem Clua
Direction: José Luis Arellano
Cast: José Luis Alcobendas, Helena Castañeda, Chani Martín and Marina Seresesky
a global play
International productions
Since its premiere at La Villarroel, Skin in Flames has travelled through theatres in the United States, Europe and Latin America.
2006–2008
- St. Louis, United States — HotCity Theater, 2006.
- Filadelfia, United States — Adrienne Theater, 2007.
- Salt Lake City, United States — Salt Lake Acting Co., 2008.
- Chicago, United States — Stage Left Theatre, 2008.
2010–2012
- Bydgoszcz, Poland — Teatr Polski, 2010.
- Mexico City, Mexico — Teatro Nextel, 2011.
- Tegucigalpa, Honduras — Teatro Nacional de Honduras, 2012.
2013–2015
- Athens, Greece — Teatro del Arte, 2013; Teatro Olvio, 2015.
- Caracas, Venezuela — Sala Cabrujas, 2013; Centro Cultural BOD, 2014.
- Nicosia, Cyprus — Teatro Dionisos, 2014.
- London, United Kingdom — Park Theatre, 2015.
2017–2018
- Heraklion, Greece — Teatro Figura 7, 2017.
- Córdoba, Argentina — Sala Documenta Escénicas, 2018.
Staged readings
2006 — Kitchen Dog Theater, Dallas; Martin E. Segal Theatre, New York. 2007 — New Theatre, Coral Gables (Miami). 2008 — Operating Theatre Co., London. 2010 — Studio Mavromijali, Athens.
Awards
- XXXII Ciutat d’Alcoi Theatre Prize 2004.
- Serra d’Or Critics’ Prize 2005 for Best Text.
- Premio Max 2013 for Best Text in Spanish, nomination.
- Premio Butaca 2005 for Best Text, nomination.
Gallery
What critics said
“This intense drama by Guillem Clua sparks a theatrical blaze of suspense and surprises that sear the imagination.”
Jill Ritter, River Front Times
“A profound and refreshingly different perspective on the relationship between the West and the Third World in the context of war.”
Daniel Higgins, KDHX Theatre Review
“A harsh yet enriching evening of theatre that forces us to reflect on humanitarian interventions and the power of photojournalism.”
Tim Hochstrasser, British Theatre Magazine






